In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his limbs muscular beneath a plain white T-shirt. During performances, ballet dancers can appear like powerful deities, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his demand for heroic characters and pas de deux work. With delicate traits and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Rise to the Pinnacle
At 31, Ball is experiencing the crest of a career that has progressed smoothly. Raised in Liverpool, he faced little teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was promoted each year, reaching the highest position of principal in 2018. He has loved tackling substantial characters, particularly the emotional angst found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
His upcoming featured appearance is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes insights into a performer's art. He will guide the crowd through a role, showing his cognitive workflow during execution. Even in more comedic works, the test is significant. "A classic ballet is one of the most demanding technically," he states.
The Psychological Game and After the Show Feelings
What about after a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get immersed in the role, quite often I do feel embarrassed afterwards. After Mayerling I'm always like: Wow, what must people think?"
In person, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for positive change."
Early Drivers and Artistic Influences
Ball's determination originated in early setbacks. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
The next endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, music, and painting.
Close-Up Performance and Private Dynamic
He also favors staging dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Bodily Perception
On Instagram, fans can see clips from his dance films and photos that highlight a sculpted form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on various ways.
Ball describes his younger self as "eager for success." Did it met his expectations? "I feel very aware of how reality is a separate reality to the aspirations you had as a young person," he muses. He probably has about ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."